![]() Retrospective exhibition Yayoi Kusama: A Retrospective travels at the Gropius Bau, Berlin and Tel Aviv Museum of Art, Israel. Kusama also develops dot worlds for us to experience this sense of self-obliteration. In 2021, solo exhibition KUSAMA: Cosmic Nature was held at the New York Botanical Garden. In 2017, a North American tour of her work started at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. In 2016, she received Japan’s Order of Culture. She recorded more than 2 million visitors to her tours in Latin America and Asia, which led to her being named the ‘world’s most popular artist in 2014’ by the Art Newspaper. Yayoi Kusama, Self-Obliteration No.2, 1967 The Japanese-born artist Yayoi Kusama, who turns 83 in March, is both a veteran of the countercultural revolution and the art world’s latest darling. These nets appear again in 'Self-Obliteration,' an installation created between 19, a period after Kusama established herself in New Yorks male-dominated art world despite the. She has held exhibitions at various museums throughout the world, and in recent years her large-scale retrospective exhibitions at the Tate Modern and Centre Pompidou have elicited considerable responses. Overcoming various obsessions, she discovered an artistic philosophy of self-obliteration via the obsessive repetition and multiplication of single motifs. In 1957, she went to the United States and began making net paintings and soft sculptures, as well as organizing happenings and developing installations that made use of mirrors and lights, establishing herself as an avant-garde artist. This exhibition honors Kusama’s distinctive vision of self-obliteration by exploring its development across media while also underscoring the Museum’s mission: to present the most exciting art and ideas of our time. ![]() From a young age, Yayoi Kusama experienced visual and auditory hallucinations, and began creating net and polka-dot pattern pictures. Born in 1929 in Matsumoto City, Nagano Prefecture.
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